The article examines the representation of women in 28 Salvadoran poetry anthologies published between 1910 and 2020. A documentary mapping was conducted, classifying anthologies as mixed or exclusively female and quantifying women’s participation. Results reveal persistent underrepresentation: only five anthologies featured solely female authors, and in mixed compilations women averaged 27.7% of contributors. This imbalance reflects exclusionary canon-building practices. The discussion highlights the need for gender-focused cultural policies to ensure sustained visibility and legitimization of Salvadoran women poets. The study also outlines future research pathways to deepen the analysis of these structural gaps.
This article was originally published in the 2025 Congress proceedings: Scientific and social innovation for sustainability.